Saturday, September 28, 2013

SHADES OF DAY - Director's Cut



Intersting film
I thought this film is worth watching. This was the first time I saw the finished product. Support indie film makers.

Not your father's Dostoevsky.
A stylish, sexy ode to LA. The script takes the original's 19th century themes of love, longing and loneliness and updates them for our modern, often strange, urban world. With polished cinematography that transcends the usual indie moviemaking, nice performances all around, and--surprise, Dostoevsky fans--even moments of humor, this L.A. story brings Dostoevsky into the 21st century.

A Noir Wrapped in a Fable
Highly entertaining and deeply affecting, this film is full of surprises. It's a noir wrapped in a fable. It has a magical quality, but the magic derives from its extraordinary characters rather than supernatural forces. And while it's character driven, "Shades of Day" manages to achieve an almost epic quality. This directorial legerdemain can be attributed to both the richness and variety of the film's iconic Los Angeles locations and to the magnitude of its themes----sex, love, betrayal, greed, and death. But director Sumin never forgets that the cinematic seeker of truth must also be an entertainer; he juggles his seemingly weighty themes with a circus-like sense of fun and adventure.

The film is beautifully shot and edited from a script by Sumin and playwright Jeff Bergquist. The title appears to be a canny reversal of "White Nights," one of Dostoevsky's finest stories. This is a case of a film being "inspired by..." in the best sense of the word. Sumin projects...

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